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The Way Things Go – An Homage – Peter Fischli and David Weiss at Butler Gallery, Kilkenny until 15th October, 2017.
Liam O’Callaghan, Aideen Barry, and Film Fischli & Weiss at Butler Gallery.
When I was in first or second year in art school we where shown a film by Fischli and Weiss (1987). It was an ordinary afternoon, if any afternoon there could be said to be that. We all shuffled slowly into the screening room unsure of what was in store this time. To say I was blown away by the following thirty minutes would be an understatement. At first I was slightly annoyed and the typical questions rushed in ‘how could this be art?’ or ‘this is a bit hard to swallow’ Yet after watching the tyres, water balloons, plastic and wooden makeshift platforms, exploding and rolling as in an unstoppable domino effect, I was completely and utterly bowled over. It was funny and completely engaging and it was poking fun at all of us, future artists and the world we were cocooned in.
That was one of the moments when I ‘got it’, when I understood the profound relevance of art in all its unexpected, post-structuralist manifestations. I remember feeling so sure and excited that this was the kind of artwork I wanted to make. The kind that hooks the viewer in with the ordinariness of the objects and scenarios. Yet the lasting effect goes far beyond the gallery and into the wider world. You can hate work like that, or love it, or be annoyed by it but you cannot fail to be very moved by it.
The Butler Gallery invited a group of artists to respond to this influential film – Aideen Barry, Hannah Fitz, Atsushi Kaga, Nevan Lahat, Jonathan Mayhew and Caroline McCarthy, Maggie Madden, Isabel Nolan and Liam O’Callaghan. All artists acknowledged the influence of the work on their own work.
How exciting it was to move from one installation to the other and back to the film again. I found it uplifting and reaffirming to experience the new works but it was strangely upsetting to remember the first time I saw the film in my college screen room some years ago. I was filled with so much apprehension and doubt about my future at the time. However, a lot has happened since then and now I have emerged out of the cocoon. I am an artist too, struggling to make my own work that might hook someone in. Work that might make or offer a little space for thinking anew about art and life and what it is to be human.
I loved this exhibition, all of it. It runs until 15th October and should not be missed.
https://twitter.com/aileen_otoole/status/902887660238381056
Food for thought and then action.
Hasten Down the Wind, the Years.
Looking through our old record collection, looking back to another time. Some of those tracks still have the same effect though. Through the scratches, the rumbles the years are smiling at me!
Derrida and Dreaming and Nothing outside the Text.
The Possible World is Real at Wexford County Council Buildings.
Hunt for the Inner Gyre 1 & 2 – Wexford County Council Buildings, Wexford.
And Creatures Dream ……….A New Language – this two-venue show at Wexford County Council and Wexford Arts Centre (3rd July – 25th August 2017) is my first major group exhibition. I am a newcomer to the art world. I am also a relative latecomer to it. Our lives are shaped by the time, situation and community into which we are born. I see my progress through the world in phases. I am buy one tiny speck of humanity in the vastness of the universe. We are all specks of matter which make up the whole. Each speck exists and therefore presents a purpose.
I make a context for my existence in the universe.
Phase 1 0-20 years – Getting a grip on the world.
Phase 2 20-40 years – Tightening the grip.
Phase 3 40 – 60 years – Clutching at straws.
Phase 4 60 – 90 years – Letting go.
Of course this must be the most condensed version of a life ever written but it situates me in a context in the world. Phase 4 – Letting Go – begins now and it is a true phase of freedom. Freedom of the mind through continuous learning. Freedom of the heart through understanding about how we are constructed in society to live in particular ways. Freedom of the spirit to dream big, regardless of age, situation or the bias of the unfree.
Jacques Derrida, the French Philosopher questioned the dominant philosophical thinking and traditions underpinning our Western culture. In simple terms, Derrida attempted to undermine our understanding of language and experience and the accumulation of meaning through history. My Phase 4 – Letting Go must be concerned with mining and undermining my own life experiences in the context of deconstructing my programming and training. A quality third level education in art has provided many keys to unlocking my psychological prisons of conditioning and control. Through continued enquiry and the creative process of my art practice I am now free to question again all the answers I have ever been given to anything, in any context.
‘There is a future which is predictable, programmed, scheduled, foreseeable. But there is a future, l’avenir (to come) which refers to someone who comes whose arrival is totally unexpected. For me, that is the real future. That which is totally unpredictable. The Other who comes without my being able to anticipate their arrival. So if there is a real future, beyond the other known future, it is l’avenir in that it is the coming of the Other when I am completely unable to foresee their arrival’. – Jacques Derrida.
